The
history and genesis of "Megazone 23" is a long and convoluted
one. "Macross" and "Legend of Galactic Heroes" director,
Noboru Ishiguno, thought up the basic plotline of the series
in the late 1970's. When he showed his work to one of his
staff members, they commented that it was similar to the
Robert A. Heinlein stories "Universe" and "Common Sense",
which were later compiled into the book "Orphans of the Sky".
In that book, people had grown up inside a "generation
starship", and had no idea there was a universe beyond their
enclosed world. Despite Ishiguno's initial shock at his
unintended plagiarism, he forged ahead and modified the
storyline. The premise of his revised story was this; what if
the reality we had taken for granted was all an illusion?
Plans for a 26 episode TV series were developed by the studio
Artmic.
"Omega
City 23" was the first story developed out of these initial
ideas. At this stage it was set some 13 years after a
devastating nuclear war. Omega City 23 (named after the number
of "special wards" or areas in greater Tokyo), was the last
surviving human shelter on the planet Earth, which is nestled
inside a crater. The authorities have created the illusion
that the world outside the city is like it was before the war,
and that it isn't a nuclear wasteland. To keep it's citizens
under control and from finding out the truth, the city is
constantly under martial law. All civilian activity, including
using any source of power is banned after 10pm. The main
character, Satoru Kiwami, is a 17 year old male who just
floats along in life with no particular plans for the future.
He works a part time job during the day, but at night rides
his hover bike illegally in a biker gang. One night Satoru is
chased by the authorities and crashes his bike beyond repair.
He manages to escape and later discovers a message from a
friend on his answering machine. He visits him and is given an
activation key for a hover bike called the Garland. Upon
taking the bike for a joyride, he is amazed at it's speed and
handling, but is caught up in another police chase. Later his
friend is murdered. The police claim the incident was an
accident, but he suspects they are lying. He decides to leave
the city and says goodbye to his 17 year old girlfriend, Rise
Tomono. Satoru later discovers that the bike can transform
into a robot. However he is later wrongly gaoled for suspicion
of being part of the resistance. Once Satoru is released, he
joins the resistance and fights against the authorities who
run the city.
The
second concept for the series was called "Vanity City". The
plot was very similar to "Omega City 23", but this time
included an Eve-like character who was a DJ who ran a pirate
radio station. The story was also more militaristic in tone
than the previous concept. In this version Satoru obtains the
Garland (called Galiard at this stage) from a friend who
raided a military transport to obtain it. The Bahamut also
makes it's first appearance here, but how it is tied into the
story is quite unclear. Many of the staff who worked on the
"Macross" TV series and movie worked on "Vanity
City". One of the unused concepts for the "Macross"
movie had to do with the abduction of Minmay by the Zentradi.
In an early draft of the movie, the abduction is covered up
and a a holographic version of Minmay is created in order to
keep the public unaware of this. Elements of this idea still
appear in the finished film. In the scene where Misa and
Hikaru return from the desolate Earth to Macross, they see a
video of Minmay singing on a giant video scene (pictured
left). But this idea was reused in it's original vision as
"Vanity City" developed. The title of the project was soon
renamed "Omega Zone 23" and was publicly announced as in
production at a press conference to the media in September
1984.
It
was expected that "Omega Zone 23" would replace "Genesis
Climber Mospeada" when it came off air. However the main
sponsor pulled out late in pre-production. The first 13
episodes of the series were already planed out and the staff
were stuck on what to do next. The unusual decision was taken
to turn the series into a feature length Original Video
Animation (OVA for short, in other words a direct to video
animation). Only a handful of anime had been released this way
before 1985 and Artmic weren't convinced they would be able to
recoup their costs. The story was severely truncated to fit
the required time limit of less than 90 minutes. As a result
many characters and situations were cut from the script, it
had an ending which left a lot of questions unanswered and at
that stage there was no intent of making a sequel. However the
OVA, now renamed "Megazone 23", was a major success when
released in Japan in March 1985, and sold over 26,000 copies,
mostly in the rental market, a feat which would not be matched
for an OVA release for over a decade. It was one of the few
anime to be sold just about on every video format available in
Japan at the time including VHS, Beta, Laserdisc and the
obscure VHD format. An industry revolving around the OVA
format sprang up after it's release, including a magazine
solely dedicated to the format, Anime V. OVA releases jumped
from around six in 1984, to over two-dozen in 1985, to over
eighty titles per year by the end of the decade. Like many of
the early OVA releases during that period, "Megazone 23" was
also released in cinemas for a short period after it's release
on video.
One
of the biggest influences on "Megazone 23" was the 1984 US
film "Streets of Fire". Though it was a box office failure in
the US, it was a cult hit in Japan, especially with fans of
anime. In fact a lot anime created by AIC and Artmic at the
time also borrowed from "Streets of Fire" including "Bubblegum
Crisis", which it has been suggested that it's opening song,
"There's a Hurricane Tonight", resembles the one sung by the
character Lane in the movie. "Streets of Fire's" music video
style and lighting is very similar to "Megazone 23". Many of
"Megazone 23's" scenes are set at night time or twilight, and
of course there's many music video type sequences whenever Eve Tokimatsuri shows up. Shogo,
Shigeru, Mai and Tomomi even go to see "Streets of Fire" in a
cinema in an early sequence in "Megazone 23".
There's
some really interesting tidbits of information about this OVA;
during the creation of the computer readouts of the Bahamut,
the only real computer script the staff had seen was the MSX,
so they just copied a printout from an MSX machine
advertisement from a magazine for the readouts of the Bahamut.
After the OVA was released, fans ridiculed it and asked staff
if the Megazone ships were running on MSX computers. In
ancient Arabic mythology, Bahamut apparently is the name of an
enormous fish on which stands Kujara (a giant bull), whose
back supports a rock of ruby on the top of which stands an
angel on whose shoulders rests the Earth. The English word
Behemoth originates from the word Bahamut. Although not
explicitly shown in the OVA, Eve's songs have a sort of
subliminal calming effect on the population. According to
notes in The Anime's "Megazone 23" illustration/databook
released in 1985, the EVE program itself is apparently a
semi-sentient 7th program in the Bahamut which is designed to
shield the human population away from war at all costs.
Apparently if the worst was to happen, EVE would euthanase the
entire ship using nerve gas, so that they would not suffer the
horrors of war. If that's true, it certainly puts the actions
of the military into a different perspective within the film.